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:: Moving Pictures
"Sonsverduistering" - The Buckfever
Underground
"Sonsverduistering" remains my favourite. "The Buckfever Underground is een van daardie groepe wat groot plesier aan sy aanhangers verskaf, want die groep word met elke nuwe album net beter. Na die werklik uitstekende Survival is Personal is Teaching Afrikaans as a Foreign Language (TAFL) selfs ’n nog sterker album... As daar enige hoop is vir die toekoms van Afrikaanse musiek, lê dit in wat vandag op die alternatiewe snykant van die popkultuur gebeur. En hierin gee The Buckfever Underground se laaste twee CD’s die toon aan." “TeachingAfrikaansasaForeignLanguage is ‘n bedonerde stukkie post-modernistiese protes: anargisties, nihilisties, silloos, vol alledaagse sleur en geanker in die weirdste beelde dankbaar...ronde nulle is hulle nie. Hulle skop vierkant vas. Esteties kan jy hulle verbykyk, maar bewonder moet jy hulle” “The Buckfever Underground se musiek is doelbewus onafgepoets, eerlik, met skerpsnydende lirieke. Dit verg aandag van jou intellektuele sy. Dit weier om net nog 'n plek op 'n speellys in te neem…Die feit bly egter staan dat daar is niks om die eentonigheid van 'n middelklas-bestaan te breek soos 'n cd van The Buckfever Underground nie." “Unbroken Spirit” – ILL Academy Entry Directed by: Michael Cross
ROGUE PRODUCTIONS presents: Born a few years and a few miles apart in the middle of last century, Mzwakhe "Madala" Kunene, South Africa's king of the Zulu blues guitar, and Stanley “Syd” Kitchen, one of the great undiscovered jewels of South African music, found each other after fifty years. Together they are Bafo Bafo. “There was this big river of separation between us. I used to say: ‘The time will come for us to be together’. Around the early 90’s this big river became narrower. Around ’94 it dried up completely. We met face to face. We said, ‘Hey, how are you? Do you see now that this is the real thing?’” – Madala Kunene Though they practically lived on one anothers’ doorsteps, the lives of Madala Kunene and Syd Kitchen were divided by the political chasm which scarred the cultural landscape of South Africa for so long. However, through their kindred musical spirit, Kunene and Kitchen were destined to meet and forge a bond of unprecedented personal and artistic strength. Kunene's sublime interpretation of maskanda, the haunting traditional music of KwaZulu-Natal, is beautifully complemented by Kitchen's idiosyncratic hybrid of jive, folk, rock, bluegrass, boereorkes, cajun and country to create a whole far greater than the sum of its singular parts. “My musicality comes from jazz and blues… I’m very interested in Afrikaans music, in cajun music, in any music, so I bring a few of those influences. Madala’s bluesey and jazzy as well but he’s got all these great West African influences plus ‘Madala-line’, his own unique version of maskanda. The music we make together is like nothing else that has come before. I call it ‘Afro Saxon’ music. It’s a nice mix-up of his roots and my roots to create new roots.” – Syd Kitchen Bafo Bafo – “What Kind?!” documents the beginning of a remarkable journey into uncharted musical waters. And, as befits great voyages of discovery, the heroes are intrepid adventurers in search of shining new horizons: Kitchen and Kunene are poets, minstrels, performers and pals whose unique vision for themselves, their music and their country is one filled with joy, wonder, courage, tenacity and triumph. FORTHCOMING ATTRACTIONS
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